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The MR39-7 Portfolio

MR39-7 Publishing & Editorial Services

The services offered in this collection are grounded in real, published output, not theory or template-based work.

The MR39-7 portfolio includes:


  • Published paperback, hardback, and EPUB books

  • Long-form investigative writing and doctrine-based works

  • Documentary video episodes supported by written dossiers

  • Original music releases tied to narrative projects

  • Visual storytelling and limited-edition artwork

  • Professional editorial, publishing, and copywriting services delivered to publication standard

This body of work functions as a verifiable, real-world portfolio, demonstrating the same standards applied across:


  • Book development and publishing

  • Editorial and investigative writing

  • Author bios, professional profiles, and publishing copy

  • Back-cover blurbs, synopses, and long-form narrative copy

  • Documentary-supported written dossiers

  • Cross-media storytelling (print, video, audio, visual)

All services offered here reflect processes already executed in live projects within the MR39-7 ecosystem — from concept and drafting through editing, formatting, and release.

These services are designed for authors, creators, and organisations who require publication-ready work, clear narrative structure, and disciplined editorial standards — not generic AI output or low-effort content.

A Who Dares Wins Straight of the Train Via Kenya - Barmouth June 2015 A1-School Acrylic Wall Art Panels

£5,950.00
By A1-Who Dares Wins

STRAIGHT OFF THE TRAIN VIA KENYA — BARMOUTH 2015

SAS SHOCK · AWE · DEVASTATION (A–B–C)

Limited Edition Acrylic Wall Art

This work documents June 2015, capturing the immediate return to Barmouth following international movement earlier that year.

The title Shock · Awe · Devastation refers to the psychological compression that occurs when external distance collapses and unresolved environments are re-entered without transition. Arrival was not gradual. It was immediate, exposed, and demanding.

This period involved high visibility, social pressure, and heightened awareness within a familiar setting — a convergence of attention, proximity, and decision-making. The image does not depict events directly; it preserves the state of being inside them.

The work reflects a moment where movement stopped and containment resumed, requiring restraint, observation, and control rather than reaction.

This is not commentary.
It is documentation of proximity.


CONTEXT

  • Location: Barmouth, Wales

  • Date: June 2015

  • Phase: UK return / high-pressure reintegration

  • Sequence: SAS Shock · Awe · Devastation (A–B–C)

Within the MR39-7 archive (2001–2025), this piece marks the point where distance ended and exposure increased.


FORMAT & MATERIAL

  • Museum-grade acrylic wall art

  • High-definition photographic print

  • Precision cut, gallery mounted

  • Designed for long-term archival display


EDITION DETAILS

  • Edition Size: Limited (25–30 worldwide)

  • Numbered: Yes

  • Certificate of Authenticity: Included

  • Reprints: None once sold out


COLLECTOR NOTE

This artwork forms part of the UK Return & Reintegration Sequence (2015). It is presented as personal documentary archive art, recording atmosphere and pressure rather than attribution or allegation.


PRICE

£5,950 GBP

 

Acrylic art panels are a modern way to display beautiful and vibrant art that looks like it's embedded in clear glass. They have a clear, glossy acrylic surface and a white vinyl backing. Four silver stand-offs make it very easy to mount to the wall. Make your own original designs and print them on any (or all) of the seven available panel sizes in horizontal and vertical orientations. Square dimensions are available.

.: Material: Clear acrylic with white vinyl backing
.: Clear, glossy surface
.: Seven sizes to choose from
.: Horizontal, vertical and square options available
.: NB! For indoor use only