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The MR39-7 Portfolio

MR39-7 Publishing & Editorial Services

The services offered in this collection are grounded in real, published output, not theory or template-based work.

The MR39-7 portfolio includes:


  • Published paperback, hardback, and EPUB books

  • Long-form investigative writing and doctrine-based works

  • Documentary video episodes supported by written dossiers

  • Original music releases tied to narrative projects

  • Visual storytelling and limited-edition artwork

  • Professional editorial, publishing, and copywriting services delivered to publication standard

This body of work functions as a verifiable, real-world portfolio, demonstrating the same standards applied across:


  • Book development and publishing

  • Editorial and investigative writing

  • Author bios, professional profiles, and publishing copy

  • Back-cover blurbs, synopses, and long-form narrative copy

  • Documentary-supported written dossiers

  • Cross-media storytelling (print, video, audio, visual)

All services offered here reflect processes already executed in live projects within the MR39-7 ecosystem — from concept and drafting through editing, formatting, and release.

These services are designed for authors, creators, and organisations who require publication-ready work, clear narrative structure, and disciplined editorial standards — not generic AI output or low-effort content.

A Who Dares Wins What part of Thailand do I want to Die in Khao Phanom Bencha• Acrylic Wall Art Panels

£5,000.00
By A1-Who Dares Wins

WHAT PART OF THAILAND DO I WANT TO DIE IN?”

Khao Phanom Bencha, Thailand (2009)

Limited Edition Acrylic Wall Art

This work documents Thailand, 2009, captured at Khao Phanom Bencha National Park, during a period of distance and recalibration following earlier events in 2008.

The title references a phone call received that year — a moment remembered not for confrontation, but for its clarity. The response was simple: autonomy. Movement. Choice. The decision to go where one chooses, when one chooses.

The image was taken at a sheer cliff-edge location, where environment and exposure were unmistakable. The setting itself carries meaning: elevation, risk, and the quiet acceptance of uncertainty. It reflects a recurring theme within the wider archive — living deliberately at the edge rather than retreating from it.

Despite the title’s severity, this period was not defined by crisis. It included humour, companionship, travel, and ordinary moments of freedom — mornings, shared laughter, and the transient encounters of life on the road. These contrasts matter. They show how tension and normality can coexist.

This photograph sits seven months prior to the May 2010 Snowdon ascent, later recognised as SAS Link Two. In retrospect, it marks the psychological build-up to that moment — a time when patterns were being observed, distances drawn, and connections quietly noted.

This is not dramatized narrative.
It is context.


CONTEXT

  • Location: Khao Phanom Bencha National Park, Thailand

  • Year: 2009

  • Phase: Transitional period / pre-escalation

  • Archive Position: Preceding SAS Link Two (2010)

Within the MR39-7 archive (2001–2025), this piece represents a calm before convergence — a point where travel, reflection, and environmental exposure intersected.


FORMAT & MATERIAL

  • Museum-grade acrylic wall art

  • High-definition photographic print

  • Precision cut, gallery-mounted

  • Designed for long-term archival display


EDITION DETAILS

  • Edition Size: Strictly limited (25–30 worldwide)

  • Numbered: Yes

  • Certificate of Authenticity: Included

  • Reprints: None once sold out

Each panel is individually produced and logged within the A1 Who Dares Wins archive ledger.


COLLECTOR NOTE

This artwork forms part of the Thailand Transitional Years (2008–2009) sequence. It is presented as documentary archive art, preserving memory, location, and timing rather than retrospective interpretation.

Acrylic art panels are a modern way to display beautiful and vibrant art that looks like it's embedded in clear glass. They have a clear, glossy acrylic surface and a white vinyl backing. Four silver stand-offs make it very easy to mount to the wall. Make your own original designs and print them on any (or all) of the seven available panel sizes in horizontal and vertical orientations. Square dimensions are available.

.: Material: Clear acrylic with white vinyl backing
.: Clear, glossy surface
.: Seven sizes to choose from
.: Horizontal, vertical and square options available
.: NB! For indoor use only