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The MR39-7 Portfolio

MR39-7 Publishing & Editorial Services

The services offered in this collection are grounded in real, published output, not theory or template-based work.

The MR39-7 portfolio includes:


  • Published paperback, hardback, and EPUB books

  • Long-form investigative writing and doctrine-based works

  • Documentary video episodes supported by written dossiers

  • Original music releases tied to narrative projects

  • Visual storytelling and limited-edition artwork

  • Professional editorial, publishing, and copywriting services delivered to publication standard

This body of work functions as a verifiable, real-world portfolio, demonstrating the same standards applied across:


  • Book development and publishing

  • Editorial and investigative writing

  • Author bios, professional profiles, and publishing copy

  • Back-cover blurbs, synopses, and long-form narrative copy

  • Documentary-supported written dossiers

  • Cross-media storytelling (print, video, audio, visual)

All services offered here reflect processes already executed in live projects within the MR39-7 ecosystem — from concept and drafting through editing, formatting, and release.

These services are designed for authors, creators, and organisations who require publication-ready work, clear narrative structure, and disciplined editorial standards — not generic AI output or low-effort content.

Read this alongside the original blog, written June 2024 in the Death Flat under duress. This version comes with the clarity of leaving in July 2024 and seeking asylum in France.)

This is the original: https://a1whodareswins.com/blogs/news/a-vigilantes-story-in-gwynedd-20x-12

 

When I wrote the original account above  of 20X–12 (2010–2012) in June 2024, I was still trapped in the Death Flat, facing daily covert assassination and removal attempts. Those words were written in survival mode. Now, from France — free of that environment, with air to breathe and perspective to gather — I revisit those same years with clearer eyes.


Back then, Gwynedd was not just a landscape but a battlefield. 20X (2010) marked the second SAS link on Mount Snowdon — a date when I identified threats to my life more directly than ever before. From 2010 into 2012, the patterns hardened: shadow operations, system infiltration, and the heavy hand of the mental health networks that blurred truth with manipulation.


From within the Death Flat, I wrote of betrayal and violence, of the constant edge where life and death blurred. That was the lived experience. But looking back now, I see it as part of the wider architecture — a system of harassment that crossed borders, from Gwynedd into Shropshire, from the UK to Thailand, Kenya, and beyond.


The Redwoods Centre, the poisoned cups, the coded threats from those in positions of trust — all of these were not isolated. They were coordinated. In the Death Flat, my writing bore the weight of imminent danger. In France, that danger still echoes, but with distance I can investigate: the names, the dates, the patterns that show this was no coincidence.


What the years 2010–2012 reveal is not only the persistence of those seeking to silence me but also the resilience that became my identity. It was in those years that the line “My Life, My Deaths, Their Plans Failed” ceased to be a slogan and became a lived reality.


This companion piece should be read alongside the original blog. One shows the view from inside the fire — June 2024, the Death Flat, under duress. The other — this one — is written after stepping out of hell, seeking asylum in France, where the clarity of distance exposes not just the danger but the system behind it.


A1 Who Dares Wins. Robert Bailey. Mr39-7. From Gwynedd to France. Still standing.

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