GOT A DESIGN YOU NEED BRINGING TO LIFE ? EMAIL US HERE FOR A QUOTE

Contact us at info@a1whodareswins.com

Currency

The MR39-7 Portfolio

MR39-7 Publishing & Editorial Services

The services offered in this collection are grounded in real, published output, not theory or template-based work.

The MR39-7 portfolio includes:


  • Published paperback, hardback, and EPUB books

  • Long-form investigative writing and doctrine-based works

  • Documentary video episodes supported by written dossiers

  • Original music releases tied to narrative projects

  • Visual storytelling and limited-edition artwork

  • Professional editorial, publishing, and copywriting services delivered to publication standard

This body of work functions as a verifiable, real-world portfolio, demonstrating the same standards applied across:


  • Book development and publishing

  • Editorial and investigative writing

  • Author bios, professional profiles, and publishing copy

  • Back-cover blurbs, synopses, and long-form narrative copy

  • Documentary-supported written dossiers

  • Cross-media storytelling (print, video, audio, visual)

All services offered here reflect processes already executed in live projects within the MR39-7 ecosystem — from concept and drafting through editing, formatting, and release.

These services are designed for authors, creators, and organisations who require publication-ready work, clear narrative structure, and disciplined editorial standards — not generic AI output or low-effort content.

MR39-7 Official Books

A complete survivability system — built under real-world pressure across a full timeline (1974–2026).

Not a collection of books.

A structured system:

Formation → Doctrine → Execution → Training

Developed across five nations.

Not written in theory — built under pressure.

Not written in theory — built under pressure.

MR39-7 Documentaries — Classified Archive

MR39-7 Documentaries — Classified Archive

Not casual media.

A collector-grade documentary system built from real events across the MR39-7 timeline (2001–2025).

Each release combines Banksy-inspired visual language, Netflix-style documentary structure, and black-ops dossier presentation.

Short-form episodes are paired with evidence-style inserts, timeline positioning, and TRSR-7 system reference.

The archive remains in progress, with the timeline still expanding across countries, events, and system phases.

Only 300 documentary episodes will be sold worldwide.

Once gone, they are permanently closed.

Banksy in visual language.Netflix in structure.Black-ops in documentation.

Acrylic Wall Art — Real Event Archive

Not decorative pieces.
These works are visual records embedded into physical form.

Each panel represents real environments, documented moments, and high-pressure events across a system timeline.

Some pieces are derived from real-world photography taken during live situations.
Others are story-labelled artwork tied to specific phases and environments.

Banksy-inspired in visual language — but grounded in lived events, not commentary.

Explore Fine Art Posters

Not decorative posters.

A structured visual timeline built across real environments, events, and system phases (2001–2025).

Banksy-inspired artwork combined with real-life documentation and story-labelled visual records tied to specific locations, incidents, and escalation phases.

Only 25 prints per design will be released worldwide.

Once sold out, each piece is permanently closed.

The archive remains in progress — with additional environments and timeline phases still being developed.

Built from lived exposure — not comfort.

Built from lived exposure — not comfort.

DIGITAL ART — A1 SYSTEM

Original artwork created across the full timeline.

This is the source layer behind the system:

  • visual concepts
  • symbolic pieces
  • AI-assisted artwork
  • evolving creative work
1974 → present

This section shows the artwork before it becomes products.

Explore the collections below.

MR39-7 Music — Environmental Sound Archive

Not commercial music.

This is a structured audio archive.

Mapped across the MR39-7 timeline (2001–2025).

Each track is tied to real environments, real events, and defined system phases — with narrative embedded through lyrics, tone, and composition.

This is not performance.

This is documentation in audio form.

The music operates as part of a wider system — integrated with the books, visual artefacts, and documentary record.

48 tracks released.

Archive ongoing.

Selected digital artefact music releases now also begin the giving-back layer while A1 4 A Reason remains in development.

These releases are ideal for this stage because they are accessible, affordable, and fulfilment-free — no postage, no physical barriers, only sound, story, artwork, and purpose.

Participating releases will display the full Commercial Participation Statement on the individual product page and support chosen charities through Work for Good.

To understand the full context, the books must be read first.

Sound as environment. Not performance.

Sound as environment. Not performance.

TRSR-7 Profiling Archive

Behavioural profiles transformed into doctrine, artwork, music, and safeguarding artefacts.

A developing archive mapping real-life case studies through the TRSR-7 Doctrine, the 7 Pillars of Removal, Kill Matrix analysis, and long-term MR39-7 timeline evidence.

Each profile may include a written behavioural report, doctrine mapping, visual artwork, and music-linked digital artefact.

Profiling, art, and music are brought together as one complete archive piece — turning lived threat patterns into safeguarding, prevention, awareness, and structured knowledge.

Spanning the 2001–2025 MR39-7 timeline and continuing into France 2026, the archive examines how destructive patterns can form across individuals, groups, systems, environments, and cross-border pressure points.

For those who do not matter — or were made to believe they do not exist — this is why we do.

This is not revenge.

This is not diagnosis.

This is pattern recognition, prevention, and doctrine development.

An intelligence archive. A doctrine index. A safeguarding research hub. A digital artefact collection.

A1 Brand System — Identity Architecture

Not fashion. Not merchandise. A structured brand system built from the A1 acronym — extended across clothing, accessories, and home environments. Each layer represents a different expression of the system, carrying its own identity, signals, and visual language. These are not standalone products. They are physical extensions of the wider A1 structure. Worn. Carried. Placed. Each aligned to the system. This system also includes a give-back layer. A1 4 A Reason represents contribution beyond self — supporting others through awareness, access, and future charitable integration. This layer is part of the system structure. Activation remains in development.
Multiple brands. One system.

Licensing & Partnerships

A1 Who Dares Wins operates a controlled intellectual property and licensing system built around the TRSR-7 Survivability Doctrine® and associated frameworks.

Licences are structured across multiple sectors:

• Media & Documentary

• Publishing & Education

• Training & Controlled Environments

• Consultancy & Security

• Health & Wellbeing

All licensing is restricted, non-transferable, and subject to formal approval.

Access is not open.

No public or open-access licensing is offered.

All enquiries are vetted, with engagement proceeding through structured stages including NDA, eligibility assessment, and licence allocation.

Controlled access. Licensed use only.



Kenya 2015 blog - There are some Tee's on Kenya a few mugs to. Now the blog is complete. i can create some art work. I have real life photos also to utilise. 

Also Rest in Peace Murkesh Raja , Mtwapa.   


This is part of a larger story: My Life, My Deaths – Their Plans Failed (2001–2025). However, the section below covers events only up to 2015.


It is written from a professional author’s perspective, supported by blogs and a range of products that each carry a story behind them.



The Journey to Kenya


After years of chaos between 2001 and 2014 — my life, my deaths, and their plans failed, including three years in the mental health system — I had already confirmed three SAS links: connections between mental health services in Barmouth and Thailand. There were also elements of vigilantism, a £185 million drug framing, and other dark manipulations.


At the end of 2014, I returned to Egypt and travelled to Luxor, then flew from there to Nairobi, Kenya. I still had my “1 pence to one million” goal in mind and was seeking inspiration and opportunity.


When I arrived in Nairobi, I was optimistic — “bling,” you could say. I didn’t expect trouble, although I was always alert given my history. I went to an eco-lodge for a few nights, which inspired thoughts of a tropical oasis — tents, nature, simplicity.



Mombasa, Encounters, and Danger


I created a custom travel package with help from locals and soon met a woman. Aware of how “they” historically use what you’re into against you, I stayed cautious. I stayed on the Mombasa coast, in a low-budget concrete-block treehouse near the Havana Club. A man I met took me to a bar, where I encountered the woman — Margaret.


That night, she asked if I was a police officer or came from a rich family. Things escalated quickly — another woman at the bar wouldn’t stop harassing me. Earlier that day, I had met another woman who was married. It was chaos.


That same night, I fell from the treehouse. The wooden plank I stepped on snapped under me like scaffolding. I cracked my ribs and smashed my head on the ground. Despite the pain, I climbed back up the ladder — gritting my teeth, suffering severe internal injuries. I used weed for pain relief.


Eventually, Margaret and I left Mombasa and moved to Nairobi, living on both sides of Githurai — 44 and 45. The relationship was volatile, full of highs and lows. Before returning to Mombasa, I took a quick trip to Tanzania and Zanzibar. Upon returning, I ended things with Margaret and planned to travel across Africa.


But I returned to Nairobi and then back to Mombasa. While going through Margaret’s phone, I found concerning messages. I knew she was a predator. I had seen the look before — under a white sheet, blood-red eyes, truly demonic.


To my shock, I discovered she was connected to two individuals — one from Barmouth, the other from Egypt — people I’d previously scored from. The connections were too much to ignore.



Targeted by Terror and Crime


Back in Mombasa, I again went through Margaret’s phone and saw contact names like “Islam 1” and “Islam 2.” It confirmed what I feared — terrorism was lurking nearby, and this woman could not be trusted.


One day, I walked into a bar in Mombasa , Mwtwapa and immediately spotted a man I knew would approach me. He did — his name was Murkiest Raja. He jumped straight into conversation, saying, “South American weed, Rob.” I corrected him: “Don’t you mean South American cocaine?” He then mentioned Indonesia.


Then, things turned dark.


“Oh Rob, what about your daughter?” he said, with his head in his hands. Next to him was a 9mm handgun. His face was cold. He tried to scare me.


I calmly replied, “Indonesia? I’ve never been there,” and continued eating.


Later, back at my place, the pressure escalated. I sent Margaret away again, but another woman began hassling me — all over me. I brought Margaret back just to get rid of her.


Murkiest kept calling, wanting to meet. Once, we sat at a table. A terror attack was playing on a TV in the background. He said, “You’re not allowed weapons here, Rob,” and a tray appeared with a knife. He called someone — terrorists — asking if they had his back. There were six of them, plus me. Outside, a military ambulance waited.


I de-escalated the situation and returned to my place. But I didn’t yet know how deep the connections ran — through Barmouth, Egypt, and even top-tier Thai mafia (which came later).



Attempts on My Life


I held my position for months. One day, I was invited to the beach by two men — one of whom Margaret had been texting. They didn’t show. But I got a call from a Kenyan mafia contact saying, “Tizz is a cool guy, Rob.” Murkiest called too: “It was nice meeting you, Rob. I’ll just call you Rob Irish.”


But it was getting too hot. A Nigerian woman tried to lure me into a “Mutate taxi” — full of large Somali men. I declined. Instead, I took a motorbike, grabbed essentials, and left. I booked a fake bus ticket to Nairobi and took a tuk-tuk to Mombasa airport.



Airport Threats and a Narrow Escape


As I got off the tuk-tuk, a Kenyan soldier shook my hand. Inside the airport police station, I was warned: “No weapons allowed on the plane.” They threw two packs of white sheets on the table — a veiled death threat — and said, “Do you want to sleep?” Another man had a pillowcase full of torture tools. A soldier stood nearby with an AK-47.


I joked about the sheets, using humour to stay calm.


Then I was made to sit outside — on a table with a funeral wreath. Testing my nerves.


Upstairs, adrenaline still pumping, I missed two flights. Thai mafia had stormed in — high-profile figures. I could tell they were there for me.


Eventually, I flew to Nairobi and returned to the same eco-lodge where I’d stayed before. Officials asked if I needed help. I avoided getting them involved — I knew this was linked to Barmouth and beyond.


A Dutch guy said, “He’s British.” I confirmed. I stayed 12 days in a private safari tent, trying to wind down after months of chaos: organized crime, terrorism, spy games, and gang hits.



Final Assassination Attempt


One night, I knew they were coming.


Fully clothed in bed, I saw two large fingers gripping my tent window. They thought I was asleep. I wasn’t. I waited for the right moment.


I moved silently, grabbed a bottle and an ashtray — anything I could use to fight. I stood by the tent entrance. As they stepped onto the platform, I took evasive action: light on, light off, zipped the tent, ready to strike.


They panicked. I broke their element of surprise.


Outside, I heard them walking away. I did a security check — pitch black. The whole eco-lodge was empty. No guards. I checked the cameras. No one. It was an inside job.


I cracked a beer, lit a cigarette, played Guns N’ Roses – Welcome to the Jungle, and savoured the moment — one leg on the table — knowing I’d just stopped an assassination attempt on my life.



Return and Reflection


The next day, I walked to the nearby shopping mall. Two fully armed Kenyan soldiers stood outside. They gave me a thumbs up. I nodded — “Thanks, gentlemen.”


What I did in Kenya, I did for both the UK and Kenya — including  the President of Kenya  in April 2015.


At the lodge, they asked if I needed help getting to the airport. I took a taxi to the mall, then a motorbike taxi to the airport’s perimeter. I had to walk the rest of the way.


Behind a Kenyan presidential convoy, I rode through the streets. People stared at me, crossing themselves with Jesus Christ gestures. The taxi dropped me off at the airport cargo area. I walked the final stretch. Again, strangers gave me the same gesture — rest in peace — as if they knew.



Final Thoughts


I returned to the UK exhausted. Kenya was like Bourne ultimatum on steroids , no joke.


Kenya began in blind optimism. What followed was organized crime, gang hits, terrorism, spy operations, and covert assassination attempts. Women were used to manipulate me — something I was reminded of  about way back in 2004 in Thailand.


Despite the chaos, I did have good moments: I visited the elephant orphanage, Lake Naivasha, Mount Longonot, Tanzania, and Zanzibar. But ultimately, I returned to Kenya for the carnage.


Historically, this is A1 Who Dares Wins. The vulnerable adult exploitation ring in Gwynedd later stretched to Powys, Shrewsbury, Telford, and beyond. It was disheartening to see corrupt Kenyan elements infiltrating the UK mental health system to target me, alongside others.


This blog captures my Kenya experience — mid-January to early May 2015. I did my best to shield the locals from the chaos. That they came for me anyway is what’s most disappointing.


A1WhoDaresWins

#MyLifeMyDeaths

#Kenya2015

#RealLifeStories

#SurvivorStory

#SpyGames

#AssassinationAttempt

#OrganizedCrimeSurvivor

#MentalHealthJourney

#From1PenceTo1Million

#CovertOps

#SASTruthslinks

#UKtoAfrica

#BlogWithPurpose

#TruthUncovered

#TerrorSurvivor

#InsideTheSystem

#RealLifeThriller

#BarmouthToKenya

#ProductWithAStory




 

Leave a comment

Please note: comments must be approved before they are published.