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The MR39-7 Portfolio

MR39-7 Publishing & Editorial Services

The services offered in this collection are grounded in real, published output, not theory or template-based work.

The MR39-7 portfolio includes:


  • Published paperback, hardback, and EPUB books

  • Long-form investigative writing and doctrine-based works

  • Documentary video episodes supported by written dossiers

  • Original music releases tied to narrative projects

  • Visual storytelling and limited-edition artwork

  • Professional editorial, publishing, and copywriting services delivered to publication standard

This body of work functions as a verifiable, real-world portfolio, demonstrating the same standards applied across:


  • Book development and publishing

  • Editorial and investigative writing

  • Author bios, professional profiles, and publishing copy

  • Back-cover blurbs, synopses, and long-form narrative copy

  • Documentary-supported written dossiers

  • Cross-media storytelling (print, video, audio, visual)

All services offered here reflect processes already executed in live projects within the MR39-7 ecosystem — from concept and drafting through editing, formatting, and release.

These services are designed for authors, creators, and organisations who require publication-ready work, clear narrative structure, and disciplined editorial standards — not generic AI output or low-effort content.

MR39-7 Official Books

A complete survivability system — built under real-world pressure across a full timeline (1974–2026).

Not a collection of books.

A structured system:

Formation → Doctrine → Execution → Training

Developed across five nations.

Not written in theory — built under pressure.

Not written in theory — built under pressure.

MR39-7 Documentaries — Classified Archive

MR39-7 Documentaries — Classified Archive

Not casual media.

A collector-grade documentary system built from real events across the MR39-7 timeline (2001–2025).

Each release combines Banksy-inspired visual language, Netflix-style documentary structure, and black-ops dossier presentation.

Short-form episodes are paired with evidence-style inserts, timeline positioning, and TRSR-7 system reference.

The archive remains in progress, with the timeline still expanding across countries, events, and system phases.

Only 300 documentary episodes will be sold worldwide.

Once gone, they are permanently closed.

Banksy in visual language.Netflix in structure.Black-ops in documentation.

Acrylic Wall Art — Real Event Archive

Not decorative pieces.
These works are visual records embedded into physical form.

Each panel represents real environments, documented moments, and high-pressure events across a system timeline.

Some pieces are derived from real-world photography taken during live situations.
Others are story-labelled artwork tied to specific phases and environments.

Banksy-inspired in visual language — but grounded in lived events, not commentary.

Explore Fine Art Posters

Not decorative posters.

A structured visual timeline built across real environments, events, and system phases (2001–2025).

Banksy-inspired artwork combined with real-life documentation and story-labelled visual records tied to specific locations, incidents, and escalation phases.

Only 25 prints per design will be released worldwide.

Once sold out, each piece is permanently closed.

The archive remains in progress — with additional environments and timeline phases still being developed.

Built from lived exposure — not comfort.

Built from lived exposure — not comfort.

DIGITAL ART — A1 SYSTEM

Original artwork created across the full timeline.

This is the source layer behind the system:

  • visual concepts
  • symbolic pieces
  • AI-assisted artwork
  • evolving creative work
1974 → present

This section shows the artwork before it becomes products.

Explore the collections below.

MR39-7 Music — Environmental Sound Archive

Not commercial music.

This is a structured audio archive.

Mapped across the MR39-7 timeline (2001–2025).

Each track is tied to real environments, real events, and defined system phases — with narrative embedded through lyrics, tone, and composition.

This is not performance.

This is documentation in audio form.

The music operates as part of a wider system — integrated with the books, visual artefacts, and documentary record.

48 tracks released.

Archive ongoing.

Selected digital artefact music releases now also begin the giving-back layer while A1 4 A Reason remains in development.

These releases are ideal for this stage because they are accessible, affordable, and fulfilment-free — no postage, no physical barriers, only sound, story, artwork, and purpose.

Participating releases will display the full Commercial Participation Statement on the individual product page and support chosen charities through Work for Good.

To understand the full context, the books must be read first.

Sound as environment. Not performance.

Sound as environment. Not performance.

TRSR-7 Profiling Archive

Behavioural profiles transformed into doctrine, artwork, music, and safeguarding artefacts.

A developing archive mapping real-life case studies through the TRSR-7 Doctrine, the 7 Pillars of Removal, Kill Matrix analysis, and long-term MR39-7 timeline evidence.

Each profile may include a written behavioural report, doctrine mapping, visual artwork, and music-linked digital artefact.

Profiling, art, and music are brought together as one complete archive piece — turning lived threat patterns into safeguarding, prevention, awareness, and structured knowledge.

Spanning the 2001–2025 MR39-7 timeline and continuing into France 2026, the archive examines how destructive patterns can form across individuals, groups, systems, environments, and cross-border pressure points.

For those who do not matter — or were made to believe they do not exist — this is why we do.

This is not revenge.

This is not diagnosis.

This is pattern recognition, prevention, and doctrine development.

An intelligence archive. A doctrine index. A safeguarding research hub. A digital artefact collection.

A1 Brand System — Identity Architecture

Not fashion. Not merchandise. A structured brand system built from the A1 acronym — extended across clothing, accessories, and home environments. Each layer represents a different expression of the system, carrying its own identity, signals, and visual language. These are not standalone products. They are physical extensions of the wider A1 structure. Worn. Carried. Placed. Each aligned to the system. This system also includes a give-back layer. A1 4 A Reason represents contribution beyond self — supporting others through awareness, access, and future charitable integration. This layer is part of the system structure. Activation remains in development.
Multiple brands. One system.

Licensing & Partnerships

A1 Who Dares Wins operates a controlled intellectual property and licensing system built around the TRSR-7 Survivability Doctrine® and associated frameworks.

Licences are structured across multiple sectors:

• Media & Documentary

• Publishing & Education

• Training & Controlled Environments

• Consultancy & Security

• Health & Wellbeing

All licensing is restricted, non-transferable, and subject to formal approval.

Access is not open.

No public or open-access licensing is offered.

All enquiries are vetted, with engagement proceeding through structured stages including NDA, eligibility assessment, and licence allocation.

Controlled access. Licensed use only.

A1 WHO DARES WINS

My Work, Shrewsbury (2021–2023)

My Life, My Deaths, Their Plans Failed

Introduction

This account follows directly on from the Death Flat years at Eyton View, connecting the covert removal attempts I faced there with what unfolded in Shrewsbury. The years 2021 to 2023 were not simply about holding down work—they were about surviving assassination attempts, organized crime collusion, and mental health targeting while trying to live a normal life.

Linked with earlier blogs (Death Flat 2017–2024, One Tactical Drive – Shrewsbury 2016, Thailand 2016), this is part of the long chain of survival stories that together make up My Life, My Deaths, Their Plans Failed.

4AM: The Attempted Assassination

It was March 2021 in Dothill, Telford. By then I had been in the Death Flat for nearly four years, still managing my covert removal attempts.

At around 4am I left the flat to get milk and bread. At the traffic lights between Hadley and Trench Lock, a professional operative was on my tail—driving aggressively, right up behind me, forcing me toward the service station. At that moment, a West Mercia Police car drove past on my exit. That was the only thing that stopped me being assassinated on the spot.

When I returned home, seconds after locking the door, my key was pushed out of the lock from the other side and the door was opened. I tested that theory extensively—I didn’t change the locks for 18 months.

London: Suicide, Surveillance, and the Redwood Centre

I then headed to London, planning to contact police and counter-terrorism officers, linking back to my 3rd SAS connection from the 2013 Heathrow airport incident. Instead, I was driven to despair—walking for days, 70–100 miles across London, until I tried to throw myself in front of a bus. It stopped just inches from my face.

Soon after, police tasered me. In a North London hospital, while still with taser wires in my chest, I had a doctor asking whether I had problems with the Chinese mafia. Another doctor leaned over me, tugging at the wire near my chest as if implanting a tracking chip. Predatory, smiling, and unprofessional—the whole thing stank of covert abuse.

I was then transferred to Redwoods Centre, Shrewsbury, where I documented how mental health services were fully complicit: fabricating reports, accusing me of driving around London with a bomb, and attempting once again to criminalise me through false records.

Thai Food, Thai D, and Shrewsbury Eats

Inside Redwoods I ordered Thai food—an ordinary act that sparked a new path. By June 2021 I left the centre, approached Thai D, and began delivery work. Later I joined Shrewsbury Eats, which I loved.

But infiltration followed me there too. A colleague, Dave Assadi, became a focal point after being linked in a documentary interview by Tommy Robinson concerning grooming gangs. I warned him to disclose this to management—he refused—so I raised it myself. He was removed, but from that moment the targeting escalated.

The Mental Health Targeting at Work

By November 2022 the mental health system and organized crime groups were fully mobilised against me:

  • Hundreds of criminals, both national and international, were feeding into attempts to discredit or remove me.
  • I was targeted by Thai mafia, Chinese triads, South/Central Americans, Italians, Romanians, Turks, Africans, UK county lines, and more.
  • Restaurants and agencies became involved, feeding from earlier networks in Barmouth, Gwynedd.

The strategy was always the same: bait me, break me, and have me sectioned back into Redwoods.

The Barmouth Connection

The smear campaigns ran deep. I was baited through false accusations of being a paedophile—an old tactic from Barmouth, Gwynedd, where two brothers (Lee and Paul) had orchestrated years of psychological targeting. They had cousins in Shrewsbury, linking the networks directly.

This mirrored my earlier survival in 2016 (One Tactical Drive) and 2016 Thailand blog, proving that the roots of this campaign were long and interconnected.

Living Under Death Threats at Work

At Shrewsbury Eats, I managed my survival on every delivery. Comments from certain restaurants included, “someone is going to die tonight”—a clear reference to me. I endured this daily while continuing to work.

Eventually I had to walk away. My own boss once said over the phone, “If Liane thinks you’re a paedophile and wants to set you on fire…”—a shocking statement, but one I knew was recorded by government services. It summed up the level of corruption I was facing.

Laser Pens, Redwoods, and the Wider Timeline

November 6th, 2013—red laser pens on my window linked to my entry into Hergest Hospital. December 2013—SAS-linked cyanide poisoning attempt.

Fast forward: November 2022 to March 2023, laser pens on my delivery routes, my home, my vehicle. The same patterns repeating, linking across my blogs: Death Flat, My Home, Thailand 2016, Kenya 2015, Colwyn Bay, Barmouth.

From Gwynedd to Shrewsbury, Telford to London, Cairo to Thailand—the thread of organized crime and state collusion ran continuously.

Conclusion

Bows brother Boo in Shrewsbury also yeah Abbey Forgate standing there as a drove  past Shrewsbury. Shawbirch Service station after my work the same Blue hand towel at Bows home on the floor by the fence Service station , fancy that LOL . @  we don't involve ourselves in other peoples business. You see i did not lie to the Thais , Barmouth did .

I told them why i separated from those lot Barmouth but they chose to involve themselves and i kept them out of it until the mental health SAS 3rd Link but i started on The mental health as soon as i walked through the doors practically 2012 after June. 

Shrewsbury was supposed to be about work, stability, and rebuilding. Instead, it became another battlefield. My every delivery was a calculated risk, every route another assassination attempt managed and survived.

The same organized crime and mental health networks that drove me into the Death Flat also drove me out of Shrewsbury Eats. Their plans failed—but the cost was high: my health, my work, and my Museum of Treasure business.

The fight continues. This is one chapter of many—interconnected, relentless, and undeniable.

I am Robert Bailey, also known as Mr39-7.

X6. GOV PLUS ME IS 7 ARIGHT mr 39 Mathimatical formula my age at 39 Rob Bailey this is an insane coincidence and i did not plan this i had no clue okay trust I was doing Algebra i. the gargae Talybont watching my fish tank and wanted to created a formula for my name so guess what you wont believe this okay 

39 S19 -A1- S19 = SEE BEGINNING LOL (SAS ) I had no clue i was far to busy to even realise for years yeah trust. 2013 39 YEARS OLD. 

Who Dares Wins.

Support the Story — Wear the Legacy

These blogs are not just words. They are lived survival. My story lives inside the brands of A1 Who Dares Wins, where each item represents defiance and endurance.



Survival is my story. Wearing it makes it yours too.

#A1WhoDaresWins #ChooseLife #MyLifeMyDeaths #Survival #Shrewsbury #mywork #DeathFlat 

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